Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth
Sequential Take 5 Analogue Polysynth

Sequential Take 5 Analogue Polysynth

In stock

Sequential's most affordable analogue polyphonic synth.

Dave Smith and his team at Sequential have really knocked it out of the park with this instrument.  Taking design cues from their premium analogue range (Prphet 5, Pro3 and others) and combinging them into one highly playable and portable synth.

A full-featured subtractive synthesizer, the Take 5 sports two VCOs and a sub oscillator per voice, a classic 4-pole, resonant analog filter from the Prophet-5 Rev 4 design, 44 full-size keys, and a premium Fatar keybed. Its clever key-split feature gives players access to a wider playable range than many other compact synths by enabling players to divide the 3.5 octave keyboard into two separate performance zones. Dual Digital effects and a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM ensure the Take 5 can cover a wide range of sonic territory, from vintage to modern.

“The Take 5 puts the classic Sequential sound and legacy into the hands of people who may not have been able
to experience it before,” said Dave Smith, Sequential founder and lead product designer. “Packing this much performance power into such a small footprint was the kind of challenge we love. Throughout development we were amazed by how huge this synth sounds and how crazy versatile it is. It was a joy to work on and I’m looking forward to hearing what our customers create with it.”

This versatility comes from the Take 5’s sound engine. Two voltage-controlled oscillators provide traditional sine, saw, and pulse waves with waveshaping, while simple analog FM adds harmonically complex, bell-like FM timbres at need. The Prophet-5-lineage 4-pole analog filter shapes the sound of the oscillators and sub oscillator in classic fashion while a Drive control provides additional punch. For still more warmth, a Vintage knob adds micro variations to oscillator, filter, and envelope behavior from voice to voice.

The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice LFO), ADSR+delay envelopes, dual digital effects (a dedicated reverb and a suite of time-delay and other effects) a separate additional overdrive effect, and extensive modulation possibilities. A 64-step polyphonic sequencer and multimode arpeggiator complete the picture.

Sequential CEO David Gibbons summed up the Take 5 this way: “For players that have wanted to get into analog poly synths but have been put off by price or complexity, the Take 5 is the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths. It is pure Sequential sound and quality at a price that’s within reach of almost anyone. Portability is also a huge plus — you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind.”

Take 5 Specifications

Two analog VCOs per voice
Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
Hard sync: oscillator 1 syncs to oscillator 2
Square wave sub-octave generator (oscillator 1) per voice
Keyboard tracking on/off for each oscillator
Front-panel FM (frequency modulation)

Oscillator 1 amount
Oscillator 1 sub-octave amount
Oscillator 2 amount
White noise amount

Four-pole, resonant, analog low-pass filter per voice, based on Prophet 5 Rev 4 design
Filter can be driven into self-oscillation with the Resonance control
Bi-polar filter envelope amount

Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, gate)
Velocity modulation of each envelope amount
Envelopes freely assignable to multiple modulation destinations

Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
Clock sync (internal or external MIDI clock)
Freely assignable to multiple modulation destinations

One dedicated reverb with damping, pre-delay, decay and tone
One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
Dedicated Overdrive effect

Recreates the characteristics of vintage synthesizers by introducing micro-fluctuations in oscillators, filter, and envelopes per voice.

Source: channel (mono) aftertouch with bi-polar amount
Aftertouch freely assignable to multiple modulation destinations

Master clock with tap tempo
BPM control and display
MIDI clock sync

Up, down, up+down, random, assign modes
Syncs to MIDI clock
Re-latching arpeggiation

Polyphonic step sequencer with up to 64 steps with ties and rests

Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
Low-split mode creates two independent performance zones with different octave ranges
Hold switch latches held notes on
Polyphonic glide (portamento)
Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
Factory switch: when off, the front panel is live; what you see is what you hear

128 user and 128 factory
1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
USB port for bidirectional MIDI communication
1 Sustain/footswitch input
1 Expression pedal input
Main stereo output (2 x 1/4″ phone jack)
Headphone out (stereo 1/4″ phone jack)

IEC AC power inlet for internal power supply
Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption

Premium, 3.5-octave, semi-weighted Fatar keyboard
25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
Weight: 17 lbs (7.7 kg)

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