Moog Music Matriarch Semi-Modular Paraphonic Analogue Synth
Moog Music Matriarch Semi-Modular Paraphonic Analogue Synth
Moog Music Matriarch Semi-Modular Paraphonic Analogue Synth
Moog Music Matriarch Semi-Modular Paraphonic Analogue Synth
Moog Music Matriarch Semi-Modular Paraphonic Analogue Synth
Moog Music Matriarch Semi-Modular Paraphonic Analogue Synth

Moog Music Matriarch Semi-Modular Paraphonic Analogue Synth

In stock

Probably Moog's most interesting synth design in the last decade.

Journey across new sonic landscapes.

The Moog Matriarch Paraphonic Analog Synth is the culmination of decades of research, development, and manufacturing. Hand built in the depths of North Carolina, the Moog Matriarch is loaded with treats and tricks - destined to take you across the cusp of space into new frontiers.

Both parts vibrant and bright yet delightfully warm. This synthesizer is simple to use and features nothing that will stand in the way of your exploratory sound design.

A paraphonic synth, the Matriarch is patchable via 90 points, with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay. The Moog Matriarch is abundant with soaring leads, deep textures, and rumbling bass sounds

Classic design that looks to the future
Based on the original Bob Moog designs, the Matriarch is filled old school vibes yet evokes a very forward facing outlook.

The assortment of modules are classic Moog and it features a 100 analog signal path. Spanning a huge range of sound making and modulating circuits anything is possible. From huge bass lines to plucks and pads. The entire language of analog vocabulary can be reached with this exceptional synthesizer. From its ladder filters, the envelope generators, and incredible stereo analog delays. Nothing is out of reach.

Semi modular exploration
At its core, the Matriarch is a semi-modular synthesizer. This means there is an array of patch points. Great for modulating parameters within the synth's circuitry.

The 90 points are easily accessible via patch cables - which have been kindly included with the Matriarch - giving you a lot of ways to play with and manipulate sounds. Although patching is incredibly powerful, it isn't necessary. It gives you a much deeper level of control but the Matriarch can be used without having to patch anything.

The Matriarch is ready for stage and studio and is a hugely beneficial addition to your arsenal of sound creators. In fact, it might just take centre stage.

Mono, duo, and 4-note paraphonic playability
Stereo analog delay w/ up to 700ms of MIDI sync-able stereo or ping/pong style repeats
256 step sequencer w/ up to 4 notes per step and 12 stored patterns. (Can be decoupled from Matriarch to independently sequence external gear)
Arpeggiator with selectable modes (Order, Forward/Backward, Random)
Semi-modular analog synthesizer - no patching required
90 modular patch points for endless exploration
Oscillators based on the Minimoog
Mixer based on the classic CP3 module
Filters based on the classic 904A ??module
Envelopes based on the classic 911 module
VCAs based on the classic 902 module
Analog Delay based on the MF-104M and 500 Series effects
Expressive 49-note Fatar keyboard w/ patchable velocity and aftertouch
4 analog oscillators w/ selectable waveshape and hard sync per-oscillator
Full-range analog LFO with 6 selectable waveshapes
Dual analog filters with parallel (HP/LP), stereo (LP/LP), and series (HP/LP) modes available
Dual analog ADSR envelopes
Dual analog VCAs
3x bipolar voltage controlled attenuators with ring mod capability
2x4 parallel wired unbuffered multis
Additional simple analog LFO useful for adding modulation to delay, filters and VCAs
1/4“ external audio input for processing guitars, drum machines, and more throughMatriarch’s analog circuits
Stereo ¼” and 3.5mm Eurorack level audio outputs

Type: Semi-Modular Analog Synthesizer
Sound engine: Analog
Number of keys: 49 Full-Size Keys
Type of keys: Velocity-sensing with Aftertouch (Velocity and Aftertouch are nothard-wired – available via MIDI, KBD VEL OUT and KB AT OUT jacks)
Other controllers: Pitch Bend, Mod Wheel, Variable Glide, Expression pedal into CV out, and Sustain Pedal in
Polyphony: Monophonic, 2-Note Paraphonic, and 4-Note Paraphonic
Sound sources: 4x Analog Oscillators with Selectable Waveforms (Oscillators 2, 3,and 4 support Hard Sync), White Noise Generator, External Input jack
Mixer: 6 input (5 eurorack level and 1 instrument level) DC coupled discrete mixer with asymmetrical clipping behaviour
Filters: 24dB/Octave Low Pass Filter with Resonance, 24dB/Octave switchable LowPass/High Pass Filter with Resonance. Configurable in parallel (HP/LP), stereo (LP/LP),and series (HP/LP)
Mod sources: Analog Modulation Oscillator with selectable and patchable output(Sine, Saw, Ramp, Square, Stepped Triangle, Smoothed Random, Sample and Hold,Noise). Additional LFO (Tri, Square)
Envelopes: 2x Four-Stage ADSR with End of Envelope gate outputs
Attenuators: 3x Bipolar Voltage Controlled Attenuators with Ring Mod capabilities
Multis: 2x4 Parallel-wired Non-buffered Patch Points
VCAs: 2x discrete analog VCAs routed in stereo
Effects: Stereo Analog Delay with Ping/Pong, MIDI and CV clock sync, voltage controlled Mix, and independent L/R delay times, feedback, and I/O
Arpeggiator / Step sequencer: 256 Steps with up to 4 notes per step; 12Sequence locations
Patch points: 90 x 3.5mm front and rear panels, 49 Inputs, 33 Outputs, 2x4Parallel-wired Multis.
Pedal inputs: 1/4” Sustain, 1/4” Expression
Audio inputs: 1/4” TS jack (Rear Panel)
Audio outputs: 2x 1/4” TS jacks for line level output (Rear Panel), 1/4” Headphone jack with dedicated level knob (rear panel), 2x 3.5mm Eurorack level outputs, 2x 3.5mmDelay outputs
MIDI I/O: 5-pin DIN In, Out, Thru; plus MIDI over USB (Rear Panel)
Dimensions: 32” (81.28cm) Wide x 14 1/4” (36.19cm) Deep x 5 1/2” (13.97cm) High
Power: Included Power Adapter 12V DC (positive tip), 2A, 100 to 240 Volts AC,50/60Hz with screw-on barrel connector.
Weight: 24lbs. / 10.89kg

Copyright © 2022 All Rights Reserved.